Maryam Mehraban
Pianist
We are not complicated. We are deep...
We are memory and longing, questions and hope.
We are society, history and art.
We carry worlds within us for which words often do not suffice.
That is why moments turn into music.
And music becomes what our souls had known all along.
you are deeply welcomed here.
Released
available on Spotify, Apple Music
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Erik Satie – Gymnopédies
Gymnopédies
Some music asks to be understood. Other music simply asks us to listen.
The Gymnopédies belong to those rare works that reveal something different every time they are played. Beneath their apparent simplicity lies a delicate balance of silence, resonance and time. Every note carries weight, every pause has meaning.
For me, recording these pieces was not about perfection, but about creating space—for sound, for stillness
and for reflection. I hope this recording invites you to experience the quiet beauty that makes Satie's music timeless.
Erik Satie – Gymnopédies
Composed at the end of the nineteenth century, Erik Satie's Gymnopédies remain among the most distinctive works in the piano repertoire. Beneath their apparent simplicity lies a remarkable depth: time seems to slow down, silence becomes part of the music, and every single note is given space to resonate.
It is precisely this simplicity that makes the Gymnopédies so demanding. Rather than relying on virtuosity, they require patience, sensitivity, and the ability to shape sound, silence, and resonance with equal care.
To me, these pieces offer an invitation rather than a statement. They invite us to pause, to listen more deeply, and to discover our own memories and emotions within the music. Each performance becomes a quiet dialogue between the composer, the performer, and every listener. In my interpretation, I seek to carry each sound into the next, allowing every note to continue breathing beyond its own existence. I imagine the resonance not as something that fades away, but as something gently passed from one tone to another. It is like trying to catch the tears of someone who is crying before they touch the ground. Perhaps it is in this longing to preserve what is fleeting that the quiet poetry of Satie's music truly lives.
